Noosa Wildflowers plate
$89.00
A plate that brings a little of the wildflowers home.
Each piece is shaped in our Noosa studio, then pressed with one of Jasmine Veronique’s native floral drawings while the clay is still soft. She glazes every plate herself, so the flower sits in the surface with the same layered, painterly touch she brings to her oils.
Choose your size:
-
Bread plate — approx. 20 cm
Wallum Tea Tree (Leptospermum semibaccatum), photographed in Kathleen McArthur Conservation Park -
Dinner plate — approx. 26 cm
Wallum Grevillea (Grevillea leiophylla), also known as Spider Grevillea, photographed in Cooloola
Made to gather around, and to linger with.
All our ceramics are handmade in our Noosa studio — small variations in colour and size are part of what makes each piece its own.
Care
All our ceramics are made using Australian, non-toxic, food-safe clays and glazes.
All our ceramics are fired to very high temperatures, making them very strong and durable. All of our pieces ~ with the exception of gold lustre decorations ~ are dishwasher & oven safe. Take care to avoid sudden temperature changes (for example from the oven to a cold benchtop) as this is likely to cause thermal shock which can result in the piece cracking.
Gold lustre finishes are fired in the kiln for durability & food safety, however please note they are not dishwasher or ovenproof. DO NOT microwave lustre pieces as we use true gold!
Please wash before use.
About the Artist
Jasmine Veronique
A collaboration between oil painter Jasmine Veronique and Noosa pottery studio Kim Wallace Ceramics.
Jasmine’s work has always been a quiet conversation with place — wildflowers of the Wallum, the Noosa and Cooloola country, painted slowly in layers. In this collection, that same language moves into clay.
Each stoneware piece is shaped by hand in our Noosa studio, with Jasmine’s native floral drawings pressed into the surface while the clay is still soft, so the design sits in the piece rather than on it. Jasmine then glazes every form herself, bringing the same considered, painterly touch she uses in her oils.
The result is neither painting nor ordinary tableware. It is something in between — vessels that hold a little of the wildness she loves, made to be used, lingered with, and kept close.
